The Hardware
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The USB 3.0 connector on the rear panel carries digital signal to and from your computer in addition to providing power to the UAC-2—no batteries or external power required. Dual front panel combo XLR/TRS inputs allow you to connect a wide variety of microphones as well as line-level signals from electronic keyboards and music players—even passive instruments such as electric guitars and basses. Dual-balanced TRS output jacks enable you to connect the UAC-2 to amplifiers or self-powered speakers, and there's an independent ¼' stereo headphone jack with dedicated volume control for private monitoring of the input or output signal.
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Dedicated input gain controls and Clip LEDs make it easy to set optimum input levels, and a large Output knob enables fast control over overall output level. A phantom power switch applies +48 volts to the mic inputs, allowing you to use the UAC-2 with studio-quality condenser microphones, and a three-way Direct Monitoring switch enables monitoring of input signal with zero latency in both mono and stereo. MIDI In and Out connectors allow interfacing with devices such as electronic keyboards and drum machines. Last but not least, a Class Compliant Mode switch enables the UAC-2 to be connected to an iPad.*
* Optional power adapter and Apple Camera Connection kit or Lightning to USB Camera Adapter required
Upsampling
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The UAC-2 uses high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter. In addition, the UAC-2 performs 4-times upsampling during both analog-to-digital (A/D) and digital-to-analog (D/A) conversion. In other words, when the sampling frequency is set to 44.1 kHz or 48 kHz, the UAC-2 processes the signal at high resolution 176.4 kHz or 192 kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.